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Judith of Bethulia
Category Adventure
All Genres: Adventure, Biography, Drama, History, Romance
Year: 1914
Country: USA
Runtime: 61 minutes
Languages: English
Director: D.W. Griffith
Sound: Silent
Writing by: Thomas Bailey Aldrich - poem (play)
D.W. Griffith - writer
Grace Pierce - writer
Frank E. Woods - writer
Cast: Blanche Sweet - Judith
Henry B. Walthall - Holofernes
Mae Marsh - Naomi
Robert Harron - Nathan
Lillian Gish - The young mother
Dorothy Gish - The crippled beggar
Kate Bruce - Judith's maid
J. Jiquel Lanoe - Eunuch Attendant
Harry Carey - Assyrian Traitor
W. Chrystie Miller - Bethulian
Gertrude Robinson -
Official Website: Visit Website
 
Plot Outline:
A fascinating work of high artistry, "Judith of Bethulia" will not only rank as an achievement in this country...
 
Plot:
A fascinating work of high artistry, "Judith of Bethulia" will not only rank as an achievement in this country, but will make foreign producers sit up and take notice. It has a signal and imperative message, and the technique displayed throughout an infinity of detail, embracing even the delicate film tinting and toning, marks an encouraging step in the development of the new art. Ancient in story and settings, it is modern in penetrative interpretation - it is a vivid history of one phase of the time it concerns, and is redemptive as well as relative, a lesson from one of those vital struggles that made and unmade nations as well as individuals, yet it is not without that inspiring influence that appeals powerfully to human sense of justice. The entire vigorous action of the play works up to the personal sacrifice of Judith of Bethulia, a perilous chance she takes for the sake of the lives and happiness of her people. She dares expose herself to overwhelming humiliation and dishonor in a challenge of beauty to strength, struggles through a conversion of sentiment that makes the high crisis more acute, and sets at defiance the "better-death-than-dishonor" platitude, escaping both through that all-conquering combination in a woman, great physical beauty joined to lofty intelligence. She enters upon a relation of constant peril - only delicate treatment saves the situation at times - abandons her native purity of conduct and dares her own undoing, yet the noble end justified the dangerous means, and she emerges idealized by her people, an apotheosis of splendid womanhood. Bethulia is a fortified town of Judea, guarding a hill pass through which an invading Assyrian army must march in order to enter Judea. In the town lives Judith, a devout young woman of lofty character and remarkable beauty, when the place is stormed by Holofernes at the head of a large army. The fighting before the gate brings into action an enormous number of soldiers on both sides, and those engines of war, such as the battering ram and catapult, which were used by the fighting male of other days under close condition of furious combat. One desperate assault after another is repelled, scaling ladders are thrown down, great rocks are showered upon the invaders, and the wonder is that they keep at it. The reason is that Holofernes has a way of torturing and killing unsuccessful captains. As officer had better die in the thick of battle than return with a confession of defeat. Holofernes is as merciless as nature to all who fail. The great leader's brutality of his captains when they do not succeed in carrying the fortress by storm indicates what the inhabitants of Bethulia may expect in the event of capture and serves to intensify the clash of character later on - it adds peril to the undertaking of Judith when she resolves to sacrifice herself for her people. Holofernes, after making a horrible example of defeated captains by frightful torture, resorts to strategy. His soldiers have seized the wells from which the inhabitants of Bethulia obtained their water supply, and their leader adopts waiting tactics, diverting himself with dancing girls to break the tedium. Bethulia is on the verge of famine, and the besieged are almost ready to surrender the fortress and all Judea to the spoilers, when Judith goes forth in her finest raiment, accompanied only by her maid, enters the Assryian camp and obtains an interview with the merciless Holofernes. Against his formidable strength, his brutal ferocity and cunning, his absolute power, are matched her fascinating personality directed by intelligence and hidden purpose. She is willing to carry "her fault on her shoulders like a coronation mantle." The dangerous and difficult situation from this point to Judith's terrible triumph and the defeat of the invading Assyrians is pictured without loss of force or charm by extreme delicacy of treatment. Beauty is constantly asserted by almost reckless prodigality in the matter of costume, and by the appeal of delightful acting. The feminine sweetness and shyness of the lovely Judith are intensified by her advances and retreats in measuring her sex attractions against his formidable power. She is weakened at the critical moment by a sudden flame of passion and compassion aroused in her breast, but self-control returns at a thought of all that is at stake, the safety and happiness of thousands of her people, and she dares be all and do all that revolts her finer nature from a deep hatred of injustice and wrong meted out to her peace-loving kindred and friends, from a noble desire to preserve her country and the destinies of her race.



Griffith Expanded, 15 April 2004
6/10
Author: Cineanalyst

From the Apocrypha story, a poetical tragedy by Thomas Bailey Aldrich and the theatrical version, Holofernes (played by Henry Walthall) leads his Assyrian army against the walled Judean city of Bethulia. The Assyrians decide, after failing to penetrate the wall, to parch the Judeans into submission. Their watering place is located outside the wall. Consequently, widow Judith (played by Blanche Sweet) is inspired to save her Judeans.

This was D.W. Griffith's first feature-length film, and it has the constituents of later Griffith spectacles: poetic and theatrical traditions, romance, battle scenes and costly costume and set design. The battle scenes are distant and poorly choreographed, though. Nevertheless, the production went over budget, costing Biograph some $36,000. Accordingly, Griffith's days at Biograph ended here, and he would go on to make better and grander films.

For a film by the director who would make 'The Birth of a Nation' and 'Intolerance,' it's surprising that in his first feature-length spectacle, it's the acting and character relationships that are the highlight. Five-feet-seven-inches Walthall manages to portray the large laggard. Griffith is cited to have said, "Well, Wally will play him tall," in defending to the studio the casting (from Schickel's Griffith biography). Sweet does just as well. I think her walking amongst in the last shot was a fitting end.


Movie Quotes: Dennis Skinner: [closing his narration] Just like a father should
Crazy Credits:: We know about 1 Crazy Credits. One of them reads:
A chorus of females dance and sing "No Woman No Cry" during much of the end credits.
Trivia: There are 2 entries in the trivia list - like these:
  • A newer restored print of the film is being restored and will be released to limited theater engagements and worldwide DVD release slated for 2008 by the original company that made it, American Mutoscope and Biograph Company.
  • The original company that made "Judith of Bethulia" (American Mutoscope & Biograph Co.) is in development and planning a feature re-make of the film.
Rating:
7.60/10 ( 278 Votes )
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